LP-605

 Dick Lane's Quartet - Without Sauce




Released 1956


Recording and Session Information

San Francisco, August 1956
Don Lusiani, accordion, arrangement; Jim West, bass; Dick Lane, clarinet; Pat Richards, vocals

8094 'S wonderful
8095 When you're smiling
8096 After you've gone
8097 Love is here to stay
8098 Tangerine
8099 Bye bye, blackbird
8100 Autumn leaves
8101 Moonglow
8102 I've got you under my skin
8103 You're driving me crazy
8104 A foggy day
8105 That old feeling

Track Listing

When You're SmilingAugust 1956
Autumn LeavesAugust 1956
'S WonderfulAugust 1956
Our Love Is Here To StayAugust 1956
You're Driving Me CrazyAugust 1956
TangerineAugust 1956
Foggy DayAugust 1956
After You've GoneAugust 1956
MoonglowAugust 1956
Bye Bye BlackbirdAugust 1956
I've Got You Under My SkinAugust 1956
That Old FeelingAugust 1956

Liner Notes


"Without Sauce" marks the initial recording effort of the Dick Lane Quartet, organized in San Francisco little more than eighteen months ago. Dick formed a cocktail trio in 1951 and expanded to a quartet in 1955. His original quartet appeared on the Arthur Godfrey "Talent Scout" show and worked club dates in California.

The new group, heard on this album, organized in October 1954 with the purpose of making some definite mark among vocal quartets.

This album presents the "Dick Lane Quartet" offering a new fresh modern vocal treatment to a dozen old standard tunes. The arrangements were written with the deliberate purpog of utilizing the accordian in conjunction with the voices to create a new sound

Of interest, is the frequent interpolation of the lyrics, changed at times, to create a definite musical effect. For instance, the introduction to "After You've Gone," simulates a modern saxophone section. The group, sometimes uses the Count Basic band brass section "shake," as in "Moon Glow" and "S Wonderful."

"I've Got You Under My Skin" was created primarily as a production number with frequent changes of tempo. This use of temp change occurs in many of the arrangements, i.e. "You're Driving Me Crazy," "Tangerine." "After You've Gone," and the ballad, "Our Love Is Here To Stay." On the latter selection, the introduction recreates the sound of children at play.

Probably the most important aim of the group is to present a modern vocal group sound that combines freshness with interesting listening!

AUTOBIOGRAPHY OF DICK LANE QUARTET

The leader and clarinetist, before joining Ted Weems and Jack Fina's bands for "road-duty" had a background as a legitimate musician, having as soloist with the Oakland Symphony Orchestra. He formed his first group, with brother Don, in 1931 and worked in the San Francisco Bay area in night clubs and TV.

DON LUSIANI

Younger brother of Dick, is the group's arranger! In addition to doing of the arrangements on this album, Don is quitc an accomplished accordionist. He studied for years with Ernest Gloe, the only accordionist to have appeared as soloist with the New York Philharmonic Orchestra. If there has been any one paricular influence upon his arranging style, it has been perhaps, the sound of the Woody Herman band.

PAT RICHARDS

The young blonde girl with the group, though having studied voice for a number of years, is new to vocal groups and to the music business. Her legitimate training, plus her wide vocal range makes her especially versatile in vocal group work.

JIM WEST

The bass player, originally studied clarinet and bassoon, but was pressed into service as a bassist while in the army. After attending the University of California, he left to become as he puts it, "a bass plucker!"

LP-604

 Pinky Winters - Lonely One

Released 1956


Recording and Session Information

Los Angeles, CA, 1956
Pinky Winters, vocals; Gerald Wiggins, piano; Jim Wolf, bass; Chico Hamilton, drums; Howard Roberts, guitar

8037 Jeepers creepers
8038 I've got plenty of love
8039 Gone with the wind
8040 Pennies from Heaven
8041 My heart's a child
8042 October's dream
8043 Lonely one
8044 Polka dots and moonbeams
8045 Cheek to cheek
8046 It never entered my mind
8047 You smell so good
8048 Easy living

Track Listing

Lonely One Smalley - Grove1956
Polka Dots And Moonbeams Van Heusen - Burke1956
Cheek To Cheek I. Berlin1956
It Never Entered My Mind Rodgers - Hart1956
You Smell So Good Stone - Wolf1956
Easy Living Rainger, Robin1956
Jeepers Creepers Warren, Mercer1956
I've Got Plenty Of Love Smalley, Grove1956
Gone With The Wind Bowman, Boland1956
Pennies From Heaven Johnson - Burke1956
My Heart's A Child Smalley - Grove1956
October's Dream Smalley – Grove1956

Liner Notes


IN this day and age of out-of-tune, out of breath, and out of sight singers, it is like that Well known breath of spring to welcome Miss PINKY WINTERS of Michigan City, Indiana, to the over-populated, but under-talent- ed ranks of modern vocaldom.

Her offerings are sure to be counted among the affirmatives. Swinging easily, as she does on the standards, "Jeepers Creepers", "Pennies From Heaven", and "Gone With The Wind"; or creating a warm, sometimes melancholy mood, as on the originals, "Lonely One" (Jack Smalley and Dick Grove), and "Octobcr's Dream" (Jack Smalley and Dick Grove), Pinky demonstrates the necessities of any good vocal work... a feel for each particular song, an idea of what the COMPOSER had in mind when creating the tune, the ability to take "liberties" with the melody that enhance rather than completely alter the original idea, and an inate sense of humor (dig the happy buoyancy on "You Smell So Good", and the newcomer "My Heart's A Child" (Jack Smalley and Dick Grove)...All of these assets does Miss Winters possess and all of these does she magically display on this, her first LP album for CREATIVE...

CREATIVE welcomes PINKY WINTERS to its fold, and we are sure your record collection will also glory in her intelligent, swinging vocalizings...

About the Fine Musicians accompanying Miss Winters:

The best known among Modern Jazz devotees is CHICO HAMILTON, a superb drummer, who's new quintet has really been knockin' 'em dead on the West Coast; GERALD WIGGINS, piano, has worked with Chico and many times has led his own groups; JIM WOLF, bass, provides a fine steady and tasteful foundation for Pinky to work from; and HOWARD ROBERTS ably demonstrates in his chording and solo spots why he is one of the most sought after guitarist in the music business.

Notes


Cash Box Review 4 May 1957
Argo has given Pinky Winters her first LP spin, an opportunity Miss Winters takes full advantage of. The stylist posseses a vocal warmth, and story-telling quality making such fine song tales as “It Never Entered My Mind,” “Polka Dot And Moonbeams,” and “Gone With The Wind” as beautiful as ever. Also note some excellent swinging sessions here (“Cheek To Cheek,” “Pennies From Heaven”). A crew headed by drummer Chico Hamilton accords the artist expert backing. Highly recommended vocal work.

LP-603

 James Moody - Flute 'N The Blues

Released 1956


Recording and Session Information

Chicago, November 1 1956
James Moody, tenor saxophone, alto saxophone, flute; Johnny Coles, trumpet; William Shepherd, trombone; Pee Wee Moore, baritone saxophone; Jimmy Boyd, piano, peck horn; John Latham, bass; Clarence Johnston, drums; Eddie Jefferson, (tracks 2, 4, 7)
8049 Flute 'N The Blues
8050 Breaking The Blues
8051 Birdland Story
8052 Parker's Mood
8054 Boo's Tune
8055? I Cover The Waterfront
8056 It Could Happen To You
8057 Easy Living
8058 Body And Soul
8060 Richard's Blues

Track Listing

Flute 'N The BluesNewboldt, Moody, BoydNovember 1 1956
Birdland StoryJefferson, MoodyNovember 1 1956
It Could Happen To YouBurke, Van HeusenNovember 1 1956
I Cover The WaterfrontHeyman, GreenNovember 1 1956
Body And SoulHeyman, Green, Robert Sour, Frank Eyton November 1 1956
Breaking The BluesAcoaNovember 1 1956
Parker's MoodCharlie ParkerNovember 1 1956
Easy LivingRobin, RangerNovember 1 1956
Boo's TunePleasentNovember 1 1956
Richard's BluesMoody, NewboldtNovember 1 1956

Liner Notes


WHEN A musician as high up on the musical ladder of success as JAMES MOODY completes a two-day recording session, sandwiched between two distant in-person engagements, with a glowing look of satisfaction, you listeners and legion fans can be assured that the finished product, herewith enclosed, is a real "gasser"....

The true essence of Jazz is maintained throughout the 10 tunes on this LP ...Swing...Creativeness...Indivduality of Conception...Positive, Professional approach...AND...the ability to Interpret the Composers Original Idea, so that even he may recognize it!!!How rare this last talent, Indeed...

Material wise, the music here-in is either "Blues" or a "Standard." The title tune of the album. "FLUTE N' THE BLUES" showcases MOODY on his newly conquered instrument, the ever-lovin' Flute...(Evidently a new-found necessity in todays Modern Jazz Scene). The way James gets down into it should have "flautists" galore hitting the wood-shed trail. On "Flute 'N" and "BOO'S TUNE," with just the rhythm section behind him, J. Moody really does what he so aptly calls, "The Thing"...I think you'll agree that, "The Thing" is really it!

There are two long grooves, one on the end of each side. On, "RICHARD'S BLUES," and the one and only, "BODY AND SOUL," MOODY is featured throughout, with some sparkling spots by a new trumpet talent, JOHNNY COLES, now a permanent member of the organization...Tenor on the 8 minute "Body," and, to coin a little used phrase, "Funky," Alto on the 7 minute, "Richard's"...

"I COVER THE WATEFRONT," "THE BIRDLAND STORY," and "PARKER'S MOOD" (with much less ominous lyrics), provide our vocalist, EDDIE JEFFERSON, with some groovy material upon which to work his particular magic. And swing away he does inventing his own words to two of Moody's previous instrumental solos on, "Waterfront," and, "Birdland." This cut of Bird's tune, incidentally, is the first to include his last chorus solo and also features more fine Johnny Coles trumpeting.... < /br>
JOHNNY really comes into his own on his featured number in the alburh, the beautiful, "EASY LIVING." The warmth and genuineness of his approach, and the peerless manner in which he carries it off, are indications that much more of lasting musical value will undoubtedly emanate from his horn in the near future...

Pianist, arranger, JIMMY BOYD, picked a peck of "Peck Horn," on which to show his wares, on another fine standard, "IT COULD HAPPEN TO YOU." The mellowness, almost velvet-like quality of this horn presents a new musical field in which to explore. Not as harsh, or difficult, as a French horn, not tinny as a mellophone, it, along with his fine piano spots throughout many of the sides, provides JIMMY with a real spring-board from which to enchant his many new fans...(After you hear him that is)...

The only tune left to discuss is the lead-in one on side B, "BREAKIN' THE BLUES." No discussion is necessary...It just SWINGSsssss...

PEE WEE MOORE, on Baritone, and WILLIAM SHEPHERD, on Trombone, along with Moody and Coles; complete the front line of the band...The men behind them are some of the most cohesive, and we don't mean sticky, rhythm merchants on the present day Jazz scene; BOYD on Piano, JOHN LATHAN, on Bass, and CLARENCE JOHNSON, on Drums...Their evenness and pulsating blend provides the terrafirma, as it were, from which the explorers could search the unknown, ...

"CREATIVE" is the most happy to welcome JAMES MOODY his FLUTE, TENOR, ALTO, MIND, and BAND into our select group of JAZZ ARTISTS...The recording date was a ball to do, and I'm sure those of you who "ear" this LP, the finished High Fidelity Product, will also have a glowing look of satisfaction upon your happy faces...js...

Joe Segal
Chicago Columnist, Metronome Magazine

LP-759

Lou Donaldson – Musty Rusty Released 1965 Recording and Session Information Bill Hardman, trumpet; Lou Donaldson, alto saxophone; Bil...